art WORK
My abstract art is primarily concerned with the picture space and I return frequently to re-examine juxtaposition and tension within its boundaries. It is while working within these four walls of the picture space, that my artistic limitations are often revealed. That is the moment I can dream more clearly, observe, and find solutions, remedy and repair. It is this context of restraint and confinement that leads and frees me to develop as an artistic human being!
The art thought theory
Take a thought, pick up all its threads, bundle its associations, its complexities together and then imagine what it looks like.
What color is it? how big is it? How does it feel to touch it? How could you draw it?
To draw a thought you should first believe that you can draw it and secondly, believe that it could exist - that you could imagine a pleasant conversation over a hot Brazilian coffee with it.
You should take care to define its edges well. An undefined edge signifies an incomplete thought, one without a tail and a nose.
The delicate task of zipping up and containing the thought - through the closing of its external border lines - is a most touching and poignant moment. It is a birth and you can sigh in relief when complete, as it is now free!
My year long website art activity starts here.
Today is Thursday May 24 2007. From this day on for the course of one year my artistic life will take place exclusively in this space, my website. All my artistic output will be focused on this spot. What is the goal? Well, I might be able to describe that better as I near the end of the year, suffice to say that today as I see the year stretch out before me, I haven't a clue! Just some scraps of ideas, some scribblings on crumpled notepaper in my pocket. Who knows.....!
The plan
The idea is to produce an abstract painting every day. To post the digital artwork here, together with any token thoughts that I can muster, to perhaps explain what the heck my life is about from an artists viewpoint. Producing a digital artwork a day is going to be tricky, I will have to step up a gear to focus, to not get stuck in some stylistic rut, to look for new sources of input and output. Above all though, it will be of interest to me to see how my art can develop during this period, how time can be expressed through the body of work that I hope to produce and how the discipline and boundaries of time can shape the way I think artistically. I hope too that it will be of interest to the art loving public to be able to follow my progress and share in my experience. I hope also to make this project as honest and open to scrutiny that I am able, by showing my failures and successes and revealing through daily comments the motivations and preoccupations that artists endure for their work.
Sponsor my project
All the work I produce here is for sale. If you would like to help sponsor me through this project by buying a print, please contact me using the above form.
Abstract art print 1, Thursday 24 May 2007
Well here goes - my first days effort.
Before creating this print, I was sitting in my garden and caught a view of the half moon motionless in the night sky. It struck me that like the moon, we too are in a constant process of revealing the whole, the truth about ourselves, and that in many ways the artistic creative process in which we engage is like a heightened need to reveal that which is in shadow. This work is about that interplay of what is seen and what is not.
Abstract art print 2, Friday 25 May 2007
The foundations of this digital abstract I lay down in the computer program Freehand. I find it easier to work in Freehand to map out the structure of a digital artwork when using geometric shapes, and then import to Photoshop for more subtle development in colour and pattern. With this print I was attempting to mimic the delicacy of lace to create a backdrop of texture, a homage to the complexity of the interwoven. A metaphor for something I suppose!
Abstract art print 3, Saturday 26 May 2007
This digital artwork is about residual emotions, those that lurk around well after an event, that play on the subconscious. A Turin shroud of the underworld.
Abstract art print 4, Sunday 27 May 2007
The experiment that is art, is the experiment of adventure, of discovering that which takes one away from the confides of one's own aesthetic limitations. When starting this digital artwork I had no clue as to is outcome, so when I saw in the pictures development that I had gone somewhere unexpected, I stopped, and I knew the work was finished.
Abstract art print 5, Monday 28 May 2007
Today's effort is a reaction to the grey paintings of the previous two days. I have always believed that one should respond with a decisive action and alter one's direction when a particular trend or pattern becomes apparent and begins to influence one's art. Reaction over continuity, I say!
Abstract art print 7, Wednesday 30 May 2007
I wanted to develop some facet that I liked in yesterday's digital art print, something to do with the way reflections in water, or the mirage of heat, distort and interplay with what you expect to see. Perhaps though it came out with pretty much the same atmosphere, so I think I have exhausted this line of enquiry.
Abstract art print 8, Thursday 31 May 2007
I feel I am getting somewhere with this new digital artwork. I radically departed from methods I used to create pervious digital prints. The way to stay inventive is just that, a constant search for new working procedures. It is so easy to start a digital art piece with the mentality, I know how to do it, and just rely on your tried and tested procedures. If you normally start working on a white background, change to black, if you usually select one particular tool, then choose another instead. Court danger, make yourself nervous with expectation and desire and something good will come out!

